I never thought I would be one to recommend anything from Apple, but here we are!
Despite my affinity for tech, I’ve never really been an Apple fanboy. I loved my old-school classic iPod back in the day with the satisfying clickwheel navigation, but for as much as the iPhone revolutionized basically carrying a whole ass NASA computer around in your pocket, I’ve never been on the iPhone bandwagon. I actually ventured into the world of smartphones with webOS and the Palm Prē, a largely defunct operating system and obsolete hardware manufactured by a company that no longer even exists (HP bought them out in 2010). It was a magnificent little device for its time, though, and eventually led to me joining the Android family of smartphones and tablets. I like Android’s openness to third-party developers as opposed to Apple’s so-called “walled garden,” and so I’ve never really even considered switching to an iPhone. And any time I’ve had to use a Mac for work or school in the past, I was thoroughly lost and confused, so swapping from a PC has never been an option either.
Apple TV+, the over-the-top streaming service that Apple launched back in 2019, eventually showed up on my radar within the last couple of years after I started seeing some articles and headlines about some of their marquee shows like Ted Lasso and The Morning Show, and as interesting and compelling as both of those shows look, they weren’t enough to convince me to subscribe. Then, early this year, I started seeing rumblings about a show called Severance on my social media feeds. I couldn’t recall having heard much about it, so I looked up the plot details and immediately wanted to check out the show. Thankfully, a member of the family is an iPhone user and already had a subscription to Apple TV+, and allowed me access. What I found upon logging in was unexpected…
Apple TV+ is hiding a goldmine of sci-fi television greatness.
How this came to be the case is puzzling. Apple reportedly spends north of $20 billion to produce original content for the streaming service. Yes, that is $20 billion, with a ‘B.’ It attracts big-name stars like Jennifer Aniston, who was just announced to be headlining a second series for the service. And that money has earned them numerous Emmy Awards, including the 72 nominations they snagged just last year. So all of that begs the question: Why does Apple spend so little on marketing for the service or its popular shows? All kinds of arguments exist to explain: Apple is more focused on promoting its brand rather than its individual offerings, the billions spent on the content mean that the marketing budget is much smaller, or perhaps Apple is just more interested in curating quality content rather than acquiring a large quantity of it.
Whatever the case may actually be, Apple has managed to create something of a hidden treasure trove of shows, especially in the sci-fi genre, which we all know is where I tend to gravitate. This becomes obvious by the fact that it was Severance, and not Ted Lasso, that managed to draw me in.
Severance stars Adam Scott, Patricia Arquette, Britt Lower, and several others as employees of the strange and mysterious Lumon Industries. Many of these employees have willingly opted to undergo a neurological procedure where their personal life is “severed” from their work life. While outside of work, the employee does not know what goes on inside of Lumon, and while at work, the employee knows nothing about their personal life. While this might seem like an ideal situation for some, the show explores the morality and deeper meaning behind personal identity and the exploitation of it. This was the general premise that got me hooked, but it was the impressive storytelling that got me to stay. I don’t think I’ve found myself so attached to a series as early as the pilot episode since 2013’s similarly bonkers Orphan Black. And if you need a professional opinion to jump into one of Lumon’s cubicles, the Los Angeles Times calls it “an exquisite, masterful work of television.”
Upon completing my binge of Severance, and during a discussion about how good the show was, my older brother recommended that I follow it up with the post-apocalyptic Silo, which is another sci-fi offering on Apple TV+. Taking the sci-fi a little further into what seems to be a ruined and toxic future Earth, Silo tells the story of a community of thousands of people who live in a giant underground silo. After the silo’s own sheriff breaks one of their most important rules and dies, this community, led by engineer Juliette (played by star Rebecca Ferguson), start to unravel the truth of their confinement, the world outside, and their restrictive laws that forbid learning more about the past or possessing historic “relics.” Tim Robbins, rapper Common, Rashida Jones, and Steve Zahn also appear at various points in the show’s run. While Severance at times seemed very well lit and almost squeaky clean, Silo makes up for it by being exceptionally dark and gritty since almost all scenes take place underground. The show is based on a series of stories collected in a 2011 book titled Wool by Hugh Howey, which I feel I’m going to have to eventually read to satiate my appetite for more until the show’s third season arrives.
The latest show that I managed to stumble into on Apple TV+ was the excellent Foundation, based on the stories of the same name by legendary science fiction author and biochemist Isaac Asimov. And whew, if you thought Severance or Silo sounded really out there, just wait until you step into the extremely far-flung future of this series! In said future, the galaxy is ruled by a Galactic Empire managed by its original Emperor Cleon’s trio of revolving clones: Brother Dawn (played by Cassian Bilton), the youngest Cleon of the three, who is training to one day take the reins; Brother Day (Lee Pace), the adult Cleon currently in command; and Brother Dusk (Terrence Mann), an aging Cleon who is preparing for retirement. This “genetic dynasty” is overseen by majordomo Lady Demerzel (Laura Birn), who also happens to be the last ageless robot to survive an event called the Robot Wars. The main story is put into place when the Cleons are threatened by a famed mathematician named Hari Seldon (Jared Harris) after he predicts the fall and ruin of their Empire with a method of science called “psychohistory.” Hari’s young and talented protégé, Gaal (Lou Llobell), is forced into the eye of the brewing storm when Hari calls on her to verify his findings and to help him set up a Foundation in order to try and soften the blow of the imminent disasters. With a story that spans centuries and galaxies, Foundation has been heralded as Apple TV+’s Game of Thrones, and critics are stating its upcoming third season is a “Masterpiece of Television.” If that doesn’t convince you to check it out, I don’t know what will.
And though I haven’t yet had the opportunity to view them, there’s plenty more science fiction where these came from. Apple’s original content on the service also includes alternate-history series For All Mankind, the alien thriller Invasion, reality-shifting drama Dark Matter, and robot comedy Murderbot. If the quality of these shows is as good as the aforementioned, then they will certainly be worth your time, too.
If you’re a sci-fi fan like me, the only piece of advice that I can impart to you now is that you don’t sleep on Apple TV+ and its incredible selection of stories. Don’t be turned off by what Apple might stand for with all its shiny iPhones and iPads, and instead, be comforted by the knowledge that I can almost guarantee you’ll find something to love here in Apple’s secret place. 🤫
